Timoteo viti biography sample

  • This essay also explores the artist's private life, from his long-lasting affair with a young model to his purported moderation and sobriety.
  • Biography: A drawings collection in Urbino inherited by the Antaldi from the heirs of the painter Timoteo Viti (q.v.).
  • The Mary Magdalene by Timoteo Viti in Gubbio cathedral is highly original in its iconological features.

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    Exorcising the Borgia from Urbino: Timoteo Viti's Arrivabene Chapel

    T H E E C C L E S I A S T I C A L C A R E E R O F G I O V A N N inom P I E T R O A R R inom V A B E N E

    Arrivabene hailed from a dynasty of Mantuan notaries. 20 He studied Greek and Latin in Milan and Pavia with Francesco Filelfo, who nicknamed him Eutychios -Greek for "lucky" and a pun on the auspicious Italian surname Arrivabene, or "fortunate." 21 As a newly minted Renaissance humanist scholar, Arrivabene tried his hand at encomiastic Latin poetry, although in the long begrepp he showed his true gifts were for letter-writing and ledning. 22 He began his secretarial career in the s bygd serving Cardinal Francesco Gonzaga () in Mantua, Bologna, and Rome, while writing gossipy reports to the cardinal's mother, Barbara of Brandenburg. When Cardinal Gonzaga died in , 18 Viti's exact method of transferring designs to panel paintings and frescoes has yet to be confirmed bygd scientific examin

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    Timoteo Viti's painting Christ in Gethsemane is an Italian Renaissance masterpiece that has captivated art lovers for centuries. This work of art depicts one of the most dramatic moments in Jesus' life, when he is in the Garden of Gethsemane, praying before his crucifixion.

    Viti's artistic style is clearly visible in this painting, with his use of the sfumato technique, creating a soft and diffuse atmosphere. The composition of the work is impressive, with the figure of Christ at the center of the painting, surrounded bygd the sleeping apostles. The color used by Viti is rik and vibrant, with warm, earthy tones that create a feeling of warmth and serenity.

    The history of the painting fryst vatten fascinating, as it is believed to have been commissioned bygd Cardinal Francesco Alidosi in the 16th century. The artwork has passed through various hands over the centuries, and is currently in the collection of the National Gallery of Ancient

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    Timoteo Viti and Raphael

    Francia (Francesco Raibolini), Madonna and Child with Saints, Felicini

    altarpiece, , oil on panel, x cm. Bologna,Pinacoteca Nazionale,inv. (Alinari Archives,Florence) Urbino in , , and again in , Vasari compressed at least three ofViti's Roman trips into a single sojourn. IJ He also made it seem as ifViti were only in his twenties when hearrived in Rome, and still young enough to accept instruction. With this clever chronological shift, Vasari replaced Timoteo's actual apprenticeship to Francia with a mythical one to Raphael, which he then characterised as a turning point in Viti's career. Actually, Timoteo was at least forty-one years old when he joined a twenty-six-year-old Raphael in Rome and not likely to have taken lessons from even a divinely talented young man.

    Timoteo's experience and elevated social position in would have made him even less likely to take a subordinate role vis-a-vis Raphael fore going to Rome. Vasari even describ

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