Moretto da brescia biography examples

  • He was the leading Brescian painter of his day, mainly producing altarpieces and other religious works, the best of which display an impressive gravity.
  • Alessandro Bonvicino, called Moretto da Brescia, was born into a Brescian artist family around 1498, but is not documented until 1514.
  • Alessandro Bonvicino (called Moretto) was, with Romanino, the leading painter of Brescia in the early 16th century, when the town became part of the Venetian.

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    Moretto

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    Alessandro Bonvicino, called Il Moretto (the ‘Little Moor’), was born in Brescia, then under venetiansk rule, in about 1498. (A tax return of 1548 gives his age as ‘about 50’.) His family had moved to Brescia from Ardesio, a by in the Seriana Valley, northeast of Bergamo. His father Pietro and uncle Alessandro were both minor artists. Ridolfi claims that he was a pupil of Titian, but this may merely reflect the strong influence of Titian evident in his work. He is first recorded as a painter in 1516, when he collaborated with the local painter Floriano Ferramola in painting the organ shutters of the Duomo Vecchio at Brescia (now in the church of Santa Maria in Valvendra at Lovere). He worked very largely in his native city and its neighbourhood, but occasionally undertook commissions elsewhere (Bergamo, Milan and Verona). Many of his paintings were commissioned by confraternities in Brescia, and he was himself a member of the Scuola sektion Santi

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    Biography

    Moretto da Brescia (originally Alessandro Bonvicino), Italian painter, active mainly in his native Brescia and the neighbourhood. He was a pupil of Titian and certainly his influence is apparent in Moretto's work. He was the leading Brescian painter of his day and had a large practice as a painter of altarpieces and other religious works, the best of which display an impressive gravity and a poetic feeling for nature (St Giustina with a Donor). However, his portraits, although much less numerous, are considered to be generally of higher quality and of greater importance historically. It seems likely that he introduced the independent full-length portrait to Italy, for although Vasari credits Titian with this distinction. Moretto's Portrait of a Gentleman of 1526 in the National Gallery, London, antedates any known example bygd Titian by several years. He passed on the thoughtful qualities to his pupil Moroni.

  • moretto da brescia biography examples

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    His teacher was Fioravante Ferramola (according to other sources — Vincenzo Foppa, among his mentors are also mentioned Titian, Jacopo Palma, and Girolamo Romanino). Artists of steel and both of his brothers Pietro and Jacopo.

    In 1521 he painted together with Romanino Chapel Sacramento Cathedral of Brescia, in 1522-1524 he worked in Padua. He was also joint work with Lorenzo Lotto and Floriano by Ferramola.

    Alexander Buonvicino (C. 1498-1554), nicknamed Moretto, born at Brescia. His art is a significant influence of familiarity with the paintings of the masters Romanino of Brescia. With intense interest he studied the work of L. Lotto, and Titian. Almost his entire life spent Moretto in Brescia and its immediate surroundings, only occasionally fulfilling orders in other places. It is known that he worked in Bergamo (1529), Milan, Verona (1540-1541).

    Compositional harmony, tranquility and balance various elements of the painting, characteristic of the painting of the High Renais