Rosa gumataotao rios signature furniture

  • Rosa Gumataotao Rios (born July 17, 1965) is an American academic.
  • Treasurer Rosie Rios describes her job, including her signature on printed money, to a 9th grade class at Springarn Senior High School in Washington, D.C.
  • Rosa Gumataotao Rios, U.S. treasurer in the Obama Administration, from 2009 to 2016, Rios' signature appears on about $1.8 trillion worth of American.

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    Rosa Gumataotao Rios

    American politician (born 1965)

    Rosa Gumataotao Rios (born July 17, 1965) is an American academic. She served as the 43rd Treasurer of the United States[1] and is a visiting scholar at the Radcliffe Institute for Advanced Study at Harvard University.

    Early life and education

    [edit]

    Rios was born the sixth of nine children in Hayward, California.[2] Rios' mother, an immigrant from Mexico, raised all nine children on her own and with the support of their church,[3][4] sent all of her children to Catholic schools and off to college.[5][6] All nine children worked at a young age. Rios worked beginning in her freshman year of high school at the office headquarters for the Alameda County Library System. Rios stated that she "had won the lottery with this job" as she had access to any book she ever wanted to read and that her experience and reading during this period led in part to her acceptance to

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    A Hundred Bucks Says You Won't Read This Story

    Published in the September 2013 issue

    Our new hundred-dollar bill, like every other single piece of American folding money, is born in this rotary boiler. It's a perfect sphere, an angry kettle fifteen feet across, spinning high off the ground between two stained concrete towers. Most people swear out loud when they see it for the first time. A network of gears, each tooth the size of a fist, churns away in the darkness behind it. The towers and the gears allow the boiler to spin like a planet, like Saturn, rust-colored with bred rings of black grease. It is hot in its shadow, the steam coming off it like breath, and every surface within twenty yards is either dripping or damp. The boiler feels almost monstrous, a relic of a spitting industrial age, corrosive and mean, and it feels that way especially when it finally stops spinning and its oval maw clangs open, vomiting tons of boiling cotton that hits the floor with a heavy s