Biografia de marjane satrapi biography
•
Persépolis 4
Aaay lloró chingos 3 En serio que no es extraño ver que personas son extraordinarias al ver que a su alrededor tenian a gente hermosa para instruirlos.
Se me hizo un poco mas lento que los otros tomos pero aún así tuvo un efecto similar: reí, sufrí, reflexioné y sobretodo me sentí conforme con su final. Como lo dije en todas mis reviews anteriores sigue siendo una historia muy fuerte que te habla sobre la injusticia, los prejuicios, el miedo y muchas cosas más de las que somos capaces los humanos, pero dejando toda la oscuridad por un lado, también te enseña que hay cosas por las que vale la pena luchar, resistir y alzar la voz. A pesar de que no estaba de acuerdo con algunas de las acciones de la protagonista, esto no evitó que disfrutara y admirara una historia fantástica. Con el paso de los tomos no solté lágrimas de manera literal, pero sí sentí mucha lástima y algo de dolor mientras ma
•
Marjane Satrapi
Author and director
"Satrapi" redirects here. For the jurisdiction of an ancient Persian governor, see Satrap.
Marjane Satrapi (French:[maʁʒansatʁapi]; Persian: مرجان ساتراپی[mæɾˈdʒɒːn(e)sɒːtɾɒːˈpiː];[a] born 22 November ) fryst vatten a French-Iranian[1][2]graphic novelist, cartoonist, illustrator, film director, and children's book author. Her best-known works include the graphic novel Persepolis and its film adaptation, the graphic novel Chicken with Plums, Woman, Life, Freedom[3] and the Marie CuriebiopicRadioactive.
Biography
[edit]Satrapi was born in Iran.[4] She grew up in Tehran in an upper-middle class Iranian family and attended the French-language school Lycée Razi.[5][6] Both her parents were politically active and supported leftist causes against the monarchy of the gods Shah. Her maternal great-grandfather, Nasser-al-Din Shah, was the Persian kejsare from to
•
Persépolis
Persepolis 1: The Story of a Childhood
An epic tale of sociocultural evolutions, silent revolutions, and never losing hope and trust in progressive, new solutions although backlashes and setbacks are omnipresent and daunting.
Each country has its big, subtle, and socially critical work that is right in the face of the shoals, bigotry, and cognitive dissonances of an established form of government and this is one of the best ones from the lands of One Thousand and One Nights. As always in these cases, the authors´ risk everything bygd using creativity and art to point the finger at the abysses, malfunctions, and dark sides of systems.
Unique because of the special, cultural background
In other cases and countries, especially democratic Western ones, this would be an average coming of age novel, forced reading if it´s a possibly bad, patriotically idealized writer from this nation, free reading if it´s a really good on