Monteverdi biography summary graphic organizer
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Opera and society in Italy and France from Monteverdi to Bourdieu 9780511321931, 9780521856751
Table of contents : • alternatively Claudio MONTEVERDI(1567-1643) •
Frontmatter
List of illustrations (page xi)
List of tables (page xii)
List of musical examples (page xiii)
Notes on contributors (page xv)
Foreword (Craig Calhoun, page xxi)
Acknowledgments (page xxxii)
Introduction: musikdrama and the academic turns (Victoria Johnson, page 1)
I The Representation of Social and Political Relations in Operatic Works
Introduction to Part I (Jane F. Fulcher, page 29)
1 Venice's mythic empires: Truth and verisimilitude in Venetian opera (Wendy Heller, page 34)
2 Lully's on-stage societies (Rebecca Harris-Warrick, page 53)
3 Representations of le peuple in French opera, 1673-1764 (Catherine Kintzler, page 72)
4 Women's roles in Meyerbeer's operas: How Italian heroines are reflected in French grand opera (Naomi André, page 87)
5 The effect of a bomb in the hall: The French "opera of ideas" and its cultural role in th
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L’Incoronazione di Poppea
Philippe Jaroussky (counter-tenor) - Nerone
Danielle de Niese (soprano) - Poppea
Anna Bonitatibus (mezzo) - Ottavia
Max Emanuel Cencic (counter-tenor Ottone
Antonio Abete (bass) - Seneca
Ana Quintans (soprano) - Drusilla
Claire Debobo (soprano) - Fortuna) - Pallade) - Venere
Katherine Watson (soprano) - Virtù/Damigella
Hanna Bayodi-Hirt (soprano) - Amore
Suzana Ograjanešek (soprano) - Valletto
José Lemos (counter-tenor) - Nutrice/un famigliare di Seneca
Robert Burt (tenor) - Arnalta
Mathias Vidal (tenor) - Lucano
Andreas Wolf (bass) - Tribuno/Liberto
Damian Whiteley (tenor) - Mercurio/Littore Tribuno/un famigliare di Seneca) -
Juan Sancho (un famigliare di Seneca/Tribuno/Console)
David Webb (un famigliare di Seneca/Tribuno/Console)
Les Arts Florissants/William Christie
Pier Luigi Pizzi (director, set an Music of the Medieval, Renaissance, Baroque music